March 08, 2007

LAWYERS: WANT SOME VARIETY IN YOUR CAREER? . . . Have you ever fallen into the trap of thinking that lawyers with other Book_150_1 professional interests are unfocused, insufficiently serious, somehow defective? Maybe you've wanted to get started on a dual career yourself, but feared the way that others might view your decision.

In One Person/Multiple Careers, Marci Alboher provides a new way of looking at this dilemma, which really isn't a dilemma at all. Alboher calls people with multiple careers "slashes," as in lawyer/writers or doctor/actors, and she demonstrates with real-life examples that embracing multiple careers is often a healthy and fulfilling way for normally curious people to integrate their varied interests. 

Trained as a lawyer herself, Alboher offers stories of a lawyer/filmmaker, a psychotherapist/violin maker, a chemist/poet/playwright, a lawyer/actor/director, and many other such "slashes." In addition to the profiles, Alboher provides tips "on the practical aspects of creating and thriving in a slash life: how to best present yourself to others; how to benefit from the synergies of slashing," and more.

As a so-called "trait-curious" person myself, I enjoyed the way that the book offered a completely new way of looking at career choices that seem logical to me, but which many more traditional-minded professionals would consider dangerous and ill-advised.

Marci Alboher's website can be found here. For another take on the book by a lawyer, see Carolyn Elefant's post at My Shingle, "Don't Slash and Burn, Just Slash."

August 15, 2006

LAW PROFESSOR WRITES NOVEL ABOUT LAWYERS . . . The reviewers called In the Shadow of the Law a legal thriller, but it's really just a novel about lawyers, especially big-firm lawyers. It's the first novel by Kermit Roosevelt, who has quite a resume: graduate of Yale Law, Supreme Court clerk, now a professor at Penn Law. Maybe it's no surprise that he didn't aspire to be John Grisham. Rather than emphasizing plot in his novel, Roosevelt emphasized character. And he presents a bunch of them too, mostly lawyers at Morgan Siler, a fictional defense firm headquartered in Washington, D.C.

In the Shadow of the Law is the sort of book I enjoyed a lot as a law student. It's a fairly accurate depiction of the way some big-firm lawyers work and think, right down to the black-and-white way some of them view plaintiff's lawyers as vulture-like wretches. But the defense lawyers come in for some criticism too. I liked the way one character described how former Supreme Court clerks aren't suited for large firms:

They don't have a very good grasp of the nature of legal practice, to be frank. Give them a research question and they come back with a new theory of constitutional law. Like that's going to impress a state court judge. And they're too fucking smart, never spend enough time on anything. Associates like that make the client unhappy with everyone else--he wants to know why this brief is costing him three times what the bright boy did the last one for. Smart, efficient people aren't meant for law firms; they just make the rest of us look bad.

According to the book's author bio, Roosevelt worked at firms in New York City, Washington, D.C., and Chicago. Given that Roosevelt was a Supreme Court clerk himself, it's possible the quoted lines are payback for some personal slight. But who knows? The thing about fiction is that unless the author tells you otherwise, you generally can't guess what's autobiographical and what's not. That's why it's also hard to tell whether the two stories Roosevelt relates in the novel's forward narrative--one about a pro bono death-penalty case, the other about a class action arising from an industrial accident--are based on Roosevelt's real-life experiences. I'd guess probably not, since neither struck me as particularly realistic. As Roosevelt put it himself in the acknowledgements, "I have also attempted to keep the law accurate, though when it collided with the necessities of fiction, it gave way."

Not that this matters very much. As I said, you wouldn't want to buy In the Shadow of the Law for its plot, which makes up only a small part of the book, as strange as that sounds. Instead, it should be purchased for its characters, especially if you're the sort who wants to know more about what lawyers do in large law firms.

As for me, I already knew about lawyers in large firms, having worked in one for many years. It means I probably wasn't the novel's most sympathetic reader. Even so, I'm looking forwards to Roosevelt's next novel. As I've disclosed in this website's disclaimer, I tend to admire all lawyer-novelists, whether they write literary or commercial fiction. You'll rarely read a review by me that isn't colored by this bias, including this one.

UPDATE 8/17/06: In the Shadow of the Law was the topic yesterday of the first Conglomerate Book Club, which led me to some interesting comments by Kermit Roosevelt about his writing process at Is That Legal?

July 05, 2006

FREUD TAKES CENTER STAGE IN NEW THRILLER BY YALE LAW PROFESSOR . . . The dust jacket of my advance reader's edition of The Interpretation of Murder calls it a "spellbinding historical thriller featuring Sigmund Freud and a diabolical killer attacking Manhattan's wealthiest heiresses. That's a fair one-sentence summary of the novel, the first by Yale law professor Jed Rubenfeld.

Rubenfeld gets started where Freud's biographers leave off. It's well known that Freud visited the United States in 1909, gave some lectures, and then returned to Vienna with his staunch anti-Americanism firmly intact. The novel's central conceit is that something happened to Freud while he was in New York that explains why he never warmed up to Americans and later referred to them as "savages."

In fact, many experts think that "at bottom Freud's anti-Americanism 'actually had nothing to do with America itself.'" But if the device works to get a thriller moving, who cares? And the device does work, if my experience is any indication: by the end of the novel, I was left wanting more Freud even if it meant less of the characters who drove the murder plot forward.

If it sounds like a criticism, it's a small one. For the most part, Rubenfeld delivers on the promise of the novel's dust jacket. If you're looking for a tightly-plotted thriller in the vein of The Alienist that moves quickly, hangs together all the way to the end, and provides plenty of off-stage sex that becomes fodder for some old-fashioned, Freudian-style analysis, this novel might be for you.

It's due out in September, but you can pre-order at Amazon.

February 03, 2005

Margaret McLean, Lawyer-Novelist

Lawyer-novelist Margaret McLean is the author of Under Oath, published by Hot House Press. Here's a paragraph from McLean's bio on her website--

Margaret commenced her legal career as an Essex County Assistant District Attorney in Lawrence, Massachusetts. She prosecuted hundreds of criminal cases ranging from heroin and cocaine distribution, arson, domestic violence, sexual assault against women and children, burglary, larceny, auto theft, assault and battery with dangerous weapons, and armed assault with intent to murder. She headed the juvenile court where she prosecuted a large number of juvenile gang members. She gained years of experience trying serious cases before juries of six and twelve.

These days, McLean describes herself as "a full time author, lecturer, and mother of three children." Whether practicing or not, McLean's background in criminal law informs a good chunk of Under Oath, which paints an accurate picture of a drug trial from many different points of view. As I said on this post at The Illinois Trial Practice Weblog, it was in the scenes written from the jurors' points of view that I found an important reminder about trial work.

Reviews of McLean's book are collected here.

[Below the Fold: Related posts]

Continue reading "Margaret McLean, Lawyer-Novelist" »

January 13, 2005

John Grisham on The Daily Show: He Misses the Fun of Filing Frivolous Lawsuits

On Monday, John Grisham was on The Daily Show to promote his new novel, The Broker. Jon Stewart took the opportunity to ask Grisham some questions about his law practice.

Stewart: How long were you a lawyer?

Grisham: Ten years.

Stewart: Oh, that's all? And you were a defense attorney?

Grisham: Well, a little bit of everything. Small town lawyer. You know, starve to death . . .

Stewart: Did you enjoy . . . I mean, was it, dull . . .  too wrapped up in legalese and minutia to be enjoyable?

Grisham: It's tough making a living in a small town in the South. Every small town has, you know, a million lawyers. Every big town has a million lawyers. There's a lot of competition out there and it's tough to make a living. I miss--to be honest, I really miss suing people. I mean, it was a lot of fun like to slap a ten million dollar lawsuit on some guy who wasn't suspecting it, I mean, just for fun.

Stewart: Is it getting hot in here, or is it just me?

Grisham: I kind of miss that part of it. And then Congress got involved, and they kinda sorta outlawed frivolous lawsuits, which really kinda of took the fun out of it. I miss that, but I don't really miss practicing law.

Stewart: You had something to fall back on, which I think is nice.

Note to the guy who wrote the first Op-Ed listed in the last post: John Grisham was joking.

December 27, 2004

Lawyer-Novelist Michael A. Kahn Receives Award

Though the news yesterday was about Jeremy Blachman giving up a big-firm offer in order to be a writer, don't forget: Some people are lawyers and writers. The December issue of St. Louis Lawyer, for example, featured this notice:

The Historical Society of St. Louis County presented attorney and author Michael A. Kahn with its St. Louis Book Award on October 21, 2004. The Honorable Arthur Litz presented Kahn with the Society's Book Award for Kahn's "literary accomplishments in fiction." Kahn is an award-winning author of seven mystery novels featuring St. Louis attorney Rachel Gold and numerous short stories. . . Kahn is a trial lawyer and a partner with Blackwell Sanders Peper Martin, where he specializes in intellectual property and First Amendment law.

Related post: Michael Kahn, Lawyer-Novelist

September 16, 2004

The Dumbing-Down of America, John-Grisham Style

So now they're reading John Grisham in the schools? It's the only conclusion to draw from the following Google searches, each of which led readers to this website in the past week--

Skipping Christmas - john grisham book notes
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"The Partner" "John Grisham" Notes -Buy -price
the street lawyer notes
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I've got no problem with John Grisham, but I'm not sure his books represent the best literature our country has to offer its students. Since I'm fighting a losing battle, however, I'd like to announce that Cliffs Notes are now available for free online, which I learned from reading The Pedantic Pundit. Unfortunately, I couldn't find any summaries of John Grisham novels.

August 04, 2004

Lawyer-Novelist John Grisham: Rate the Books

I’m not a book snob, but even if I had read every book by John Grisham, would I admit it? I don’t know. But I haven’t, so I don’t have to face that difficult conundrum.

Of the Grisham books I've read, what are some of the best and worst? It’s a question all of us should answer. Here’s a chronological list of Grisham’s seventeen books: A Time to Kill (1989), The Firm (1991), The Pelican Brief (1992), The Client (1993), The Chamber (1994), The Rainmaker (1995), The Runaway Jury (1996), The Partner (1997), The Street Lawyer (1998), The Testament (1999), The Brethren (2000), A Painted House (2001), Skipping Christmas (2001), The Summons (2002), The King of Torts (2003), The Bleachers (2003), and The Last Juror (2004).

Of Grisham’s law-related novels, here’s my highly-subjective best and worst list:

  • Best: The Partner, The Runaway Jury, The Summons, The Client
  • Worst: The King of Torts, The Street Lawyer

[Below the fold: some other lawyer-novelist posts.]

Continue reading "Lawyer-Novelist John Grisham: Rate the Books" »

August 02, 2004

Nicholson Baker Update: The Law of Fictional Bumpings-Off

Updating this post, we ask: Are the feds about to make their move on the subversive author of the upcoming novel Checkpoint? Perhaps there are some clues in a weekend article from the Christian Science Monitor: "It's only fiction, but is it legal?"--

"You have a substantial right to create fiction no matter what the subject matter," says David Greene, executive director of the First Amendment Project, a nonprofit advocacy group. "But it's slightly complicated when you're talking about threats against the president. If this were an author who was less acclaimed, you'd find him at a minimum being checked out by law enforcement. This Justice Department is more likely to investigate something like this."

FBI and Justice Department spokesmen refused to comment on Baker's book or to indicate if officials were investigating it.

Link from Rake's Progress.

July 14, 2004

Lawyer-Novelist-Plaintiff Rob Reuland

Lawyer Rob Reuland is the author of two novels, Hollowpoint and Semiautomatic, both featuring a character named Andrew Giobberti who's an assistant district attorney in Brooklyn.

Reuland used to be an assistant district attorney in Brooklyn too. Now he's a full-time writer. According to this account from the New York Times, Reuland misses his job as a prosecutor--

When you can stand up in court and say your name - 'Rob Reuland for the people of the State of New York' - if you can do that job well, you're doing a service to the world far greater than sending stories out into it.

What's the problem? After Reuland's first book was published, he was demoted and then fired by his boss. According to news reports, the boss became upset when Reuland told New York magazine that Brooklyn was "the best place to be a homicide prosecutor" because "we've got more dead bodies per square inch than anyplace else.'' Apparently that's not true, and the comment eventually led to Reuland's dismissal.

In a lawsuit, Reuland claimed his free speech rights had been violated by his firing. The trial began this week. In court yesterday, Reuland's former boss--Brooklyn's district attorney--took the stand and portrayed Reuland as an "untrustworthy subordinate who performed unacceptably after he was justifiably demoted."

Should Reuland stick to writing novels? Stay tuned. In the meantime, you can read other lawyer-novelist posts in the "Between the Covers" category.

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